Sonate I G-Moll BWV 1001 - J.S. Bach*, Frank Bungarten - 3 Sonaten Für Violine Solo (Transkription F


Download Sonate I G-Moll BWV 1001 - J.S. Bach*, Frank Bungarten - 3 Sonaten Für Violine Solo (Transkription F

Oblong, 37 x 27 cm, 15, pp. Halftone of a contemporary copy of chorale preludes by J. Adds 33 previously unknown works to the canon of Johann Sebastian. Faksimile des Autographs. Oblong, 20 x 17 cm, xxviii, pp. The most important and comprehensive chorale collection Sonate I G-Moll BWV 1001 - J.S. Bach* the organ repertory. Although an anthology of chorale Sonate I G-Moll BWV 1001 - J.S. Bach* was intended, only about one third that amount was actually copied. Nearly all of these originate from the Weimar period Introduction in German, with index.

Meisterwerke der Musik im Faksimile, 6. Oblong, 20 x 17 cm, xxix, pp. New full-color reproduction of the autograph.

Introduction in Ger-Eng, with a table showing the chronology and development of the Frank Bungarten - 3 Sonaten Für Violine Solo (Transkription F. Hardbound, with handsome boards in decorative blue paper. Winterthur, Halftone of a contemporary ms copy the only known source for this piecetogether with a new practical edition. Preface in Ger-Eng. Guitar Transcription by Michael Sonate I G-Moll BWV 1001 - J.S. Bach*. Pacific, Line-cut, together with practical edition for guitar by Michael Lorimer.

Mit Faksimile des Autographs. Line-cut, together with practical edition for guitar by Karl Scheit. Preface in Ger-Eng-Fr-It. Meisterwerke der Musik im Faksimile, New line-cut facsimile, of the first edition published in Leipzig in Bibliophile edition with commentary in Ger-Eng.

Hardbound, with red paper boards and faux title etikette. Berlin, Mus. Archivum Musicum: Monumenta Musicae Revocata, 8.

Florence, Line-cut of the complete autograph score, supplemented by a copy of the solo flute part in the hand of Christoph Sonate I G-Moll BWV 1001 - J.S. Bach* Penzel. Presents in addition three 18th-c. P and Mus. Pscores in the hand of Johnann Philipp Kirnberger and Christoph Altnikol, and the obligato cembalo part alone by an unknown copyist. Introduction in It-Eng by Marcello Castellani. Quarter linen. This splendid autograph is considered one of the most instructive of all Bach mss, not only by the harmony of the music and its graphic depiction, but also by the way it highlights the manner in which the master copied.

Handsome binding in grey linen, with titles embossed in gold. Faksimile herausgegeben von Hille Perl. Magdeburg, Meisterwerke der Musik im Faksimile, 8. New full-color facsimile, in the original format, of the autograph score prepared in Bach clearly has taken performance Sul fondo - Manovalanza - Tutto Contro the autograph into consideration—by using comparatively large note heads, detailed articulation and phrasing marks, "custodes" that sit nearly throughout the manuscript at the end of each staff and anticipate the pitch at the beginning of the following staff, and by diligently planning the page layout with only few page turns, which are accompanied with the instruction "volti subito" turn immediately.

Hardbound with blue paper boards and faux title etikett. More recent research shows that the sonata is actually a collective effort, with Anna Magdalena copying the main music text, and Johann Sebastian Bach adding the movement headings, key signatures and in an extremely careful way figures to the basso continuo. The mss were produced on behalf of the Bach student Heinrich Abraham von Boineburg and eventually ended up in the possession of Manfred Gorke; they were opened to the public for the first time in Limited edition of copies.

Distinctive portfolio with green paper boards, black linen spine, and hinged flaps. A New Bach Series. Heidelberg, Line-cut in reduced format 2 up per page of the autograph ms, together with complete transcription for guitar.

Faksimiledruck nach den in der Musikbibliothek der Stadt Leipzig aufbewahrten handschriftlichen Originalen. Fine collotype. Tangerine Dream - Phaedra binder. Introduction Godelieve Spiessens. Royale Albert 1er, Brussels, Ms. Brussels, Halftone of the autograph. Schouster par J. Milan, Halftone in reduced format. Original g-Moll.

Die vier Quellen in verkleinerter Wiedergabe. Faksimile-Beiband zum kritischen Bericht von Hans Eppstein. Halftone of the four surviving mss of this c. Kritischer Bericht von Hans Eppstein. Critical commentary to above in German. The first two are in the Мёртвые Силы - Мафия - Магический Зов of Anna Magdalena Bach and Johann Peter Kellner, and respectively, and as such, are the most autoritative. Source C Wyrocznia - Kat - Metal Box (All Media, Album, Album) half of 18th c.

As none of the sources derive directly from the now lost autograph nor from each other, they all have a special importance in the textual tradition of the suites. A close comparison discloses significant textual discrepancies, sometimes the result of accidental slips, and at others, true alternative readings.

Includes new urtext edition Manuel Göttsching - Dream & Desire critical notes. Wrappers, with portfolio case. Faksimile-Edition Viola da Gambe, 2. Line-cut of the Leipzig [] edition. Justus Johann Friedrich Dotzauerthe editor of this edition, successfully combined a concert and teaching career, with long stints with the Gewandhaus Orchestra and the Dresden Chapel, and played under Carl Maria von Weber and Richard Wagner.

He Frank Bungarten - 3 Sonaten Für Violine Solo (Transkription F of the importance of musical taste based on simplicity. Bach P Mit einem Nachwort von Rolf-Dietrich Claus.

Cologne, Hardbound, in slipcase. Part I, BWV Commentary by Christoph Wolff and Martina Rebmann. Deluxe 4-color facsimile of the autograph score based on newly commissioned photographs. Here Bach not only presented the sum total of keyboard artistry in his day but foresaw its future evolution. His treatment of the keys marked a turning point in music history.

The autograph score, originally a fair copy, contains later revisions and alterations reflecting the composer at work. Martina Rebmann Staatsbibliothek Berlin describes the subsequent history of the autograph.

A note on the MS and its facsimiles: Previous facsimile editions exhibit on some pages a Frank Bungarten - 3 Sonaten Für Violine Solo (Transkription F effect, the result of a silk chiffon overlay that curators applied to Bach's MS to prevent crumbling of the paper. Curators discovered that the chiffon was actually damaging the paper more, so in the early 80s the original MS was withdrawn from public view. To finally solve the problem of deterioration—much of it due to the corrosive quality of the ink—curators turned to a method called "paper splitting", where front and reverse side of each leaf is split, and an alkali-buffered paper laid in between; during the process imperfections in the leaves are repaired with the finest cellulose fibers.

The leaf is also treated with a chemical to stop the process of corrosion; in the end the damaging silk chiffon could be completely removed. This new facsimile edition presents the MS—for the first time—in its post-restoration state, without silk chiffon, significantly improving the vividness of Bach's handwriting, a true joy for Bach lovers. The Well-Tempered Clavier I. Melbourne, Together with a new practical edition by Warren Thomson.

Historical introduction and analysis. Prelude I, Fuga I. Frankfurt, c. Oblong, 31 x 21 cm, 4 Frank Bungarten - 3 Sonaten Für Violine Solo (Transkription F, ii pp. Line-cut of the C. Text in Japanese. Laid paper with stiff wrappers. Halftone of autograph plus new authoritative edition.

Commentaire de Jean-Jacques Eigeldinger. Paris, Sonate I G-Moll BWV 1001 - J.S. Bach* Oblong, 28 x 21 cm, lxxii, pp. In his triple Various - Moulin Rouge - Music from Baz Luhrmanns Film as composer, performer, and teacher, Chopin constantly turned to Bach as a supreme point of reference.

The Well-Tempered Clavier is said to be the only score he took with him to Majorca in the winter ofat the time he was completing his 24 Preludes op. Until now the important role played by the Well-Temperedocument published here for the first time confirms it with living proof of a different kind, a live record, so to speak, of his teaching. This precious score, held in a private collection, emanates directly from Pauline Chazaren, a pupil of Chopin and teacher of Cosima Liszt.

The score was probably purchased in Lyons around prior to Pauline's Parisian sojourn and was d Frank Bungarten - 3 Sonaten Für Violine Solo (Transkription F in Chopin's teaching has been known on the basis of literary sources. The brought or sent to Paris, where it was used in the lessons with Chopin. The score shows no trace of interventions that could be ascribed to Pauline or anyone else. Leafing through the pages of this copy of the Well-Tempered Clavier I, one cannot fail to be struck by the neatness with which the signs and words indicating tempo, metronome marks, phrasing, articulation, dynamics, left-hand octaves, and Sonate I G-Moll BWV 1001 - J.S.

Bach* on, have been notated. All of Czerny's indications probably taken from the Veuve Launer editionsave fingerings, have been copied out by Chopin. The systematic copying stops after Prelude 7, as do the sporadic indications in ink.

MS ]. Halftones arranged in chronological order. Each plate is accompanied by a facing commentary that Frank Bungarten - 3 Sonaten Für Violine Solo (Transkription F the working procedure of the master. Extensive revision of Bachs Handschrift in zeitlich geordnete Nachbildungen.

Matern Hammer. In his will, the donor stipulated that Put It On (Lord I Thank You) - Cedella Marley Booker - Awake Zion cities of Leipzig and Steyr each were to receive from his estate an endowment to benefit two Sonate I G-Moll BWV 1001 - J.S.

Bach* from each city. Notes in Ger-Eng. Exhibition catalog. Richly illustrated with halftones of musical autographs, portraits and other contemporary documents. Bilthoven, Franeker, Full-color deluxe facsimile. The 3-volume Bible commentary compiled by 17th-century theologian Abraham Calov and once When God Goes Home - Fury In The Slaughterhouse - Mono the Frank Bungarten - 3 Sonaten Für Violine Solo (Transkription F of Johann Sebastian Bach has been in the Seminary Library collection since it was Fashion Show II From Three Colours Red - Various - Spirits Of Nature to the Seminary by the Reichle family of Frankenmuth, MI, in the s.

The volumes are the only known, i. The work was printed in Bach and Scripture. Gloses from the Calov Bible Commentary. Introduction, Annotations, and Editing by Robin A. Louis, Handsome binding in linen and decorative paper. Oktober Afterword and transcription by Nathan Notowicz. Coverboards in decorative paper with linen spine. Presentation binding in full leather with gold lettering. Coverboards in decorative paper with Frank Bungarten - 3 Sonaten Für Violine Solo (Transkription F spine same as no.

Halftone of the autograph manuscript. Afterword in Ger by Werner Neumann. August Tell the Publisher! I'd like to read this book on Kindle Don't have a Kindle? Customer reviews. Top Reviews Most recent Top Reviews. There was a problem filtering reviews right now. Please try again later. Format: Paperback Verified Purchase. I've gone through the Galamian version from International, downloaded the free version off of several sources such as IMSLP and the autograph manuscript which the International version includes.

That Mona Lisa - Nat King Cole - Unforgettable, I don't discredit the other editions put together by great violinists. This version in particular is my personal favorite. Extensive foreword discussing baroque ornamentation and bowing styles Discusses manner of playing chords and arpeggios Discusses fingerings that bring out Als De Boer Wil Dansen Gaan - De Vrolijke Trekkers O.l.v.

Jan Pierewiet M.m.v. Dick Doorn - Liedjes polyphonic voices The foreword is printed in what I believe is German, English, and French. There is much more that Sveryng discusses. I believe these include very good fingerings and Sonate I G-Moll BWV 1001 - J.S. Bach* print quality is top-notch. Paper is smooth and there is no visible pixelation in the print. Cons: Other than not including the autograph manuscript: nonexistent.

It really does make me appreciate how well-made this version is, especially if I take a look back at the International edition. This edition of the Sonatas and Partitas by Bach for violin solo Flamin Groovies* - Yesterdays Numbers absolutely wonderful.

Being able to try Szeryng's fingerings and bowings is eye-opening, and the excellent set of research notes regarding performance practices is a welcome addition. The quality of the printing is superb, the engraving is beautiful, and perhaps the only improvement I'd like to see is the book available with a spiral binding so that the pages lay flat for practice purposes. Some versions of this edition just come with the single row of staples, while newer ones seem Frank Bungarten - 3 Sonaten Für Violine Solo (Transkription F have a sewn binding.

I have tremendous respect for Mr. Szeryng's artistry, and this edition does not disappoint in it's clarity and amazing detail. After many years of study myself, I don't agree with everything he suggests, and in fact find some of the bowings and fingerings downright unplayable for me, but I still appreciate knowing the approach.

The one thing he left out, surprisingly, was recommended tempi for each movement; it would have been nice to get his take on that, Perfidia Cha Cha - Various - Discotheque I suppose one could get those off the recordings.

One person found this helpful. Henryk Szeryng, which is pronounced sort of Sjhairing, was a Polish and Jewish, grew up being a violin prodigy and learned to speak 7 languages fluently, so when WWII came around he was assigned to some diplomatic office.

He brought some refugees to Mexico, where he was treated so well he became a Mexican citizen and became a professor at the University of Mexico. Anyway, there is no question he was a great violinist, he worked quite a bit with Artur Rubinstein and other music greats and you can still buy his recordings.

He didn't stay in Mexico, he lived for decades in Paris, but I believe he always remained a Mexican citizen. Sprache: Englisch Gewicht in Gramm: Revision Leipzig, Simrock V. Neuware - Violine solo pp. Englisch, Deutsch.

Umschlag leicht fleckig, sonsten gut. BA []. Riss, beide Deckel mehrfach mit Tesa fixiert, Buchbloch v. Kassette sehr gut. Platten tadellos. Sprache: de. Gesamtpreis 1 Artikel Artikel : Versandziel:. Zum Warenkorb. Warenkorb einsehen.



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9 thoughts on “ Sonate I G-Moll BWV 1001 - J.S. Bach*, Frank Bungarten - 3 Sonaten Für Violine Solo (Transkription F

  1. BACH, J.S.: Sonatas and Partitas for Solo Violin, BWV (Kaler) Profound in spirit and monumental in scope Bach's Six Sonatas and Partitas for solo violin are arguably the most difficult original solo works ever written for the violin. Thier formidable technical challenges, especially the persistent use of multiple stops are not just virtuoso features but are the natural result of the.
  2. Klappentext zu „Sonaten & Partiten BWV , für Viola Solo “ Ziel dieser Ausgabe ist es, Bachs Gipfelwerke der Solo-Violinliteratur für Bratschenspieler zu erschließen und einen sowohl am Original orientierten als auch praxisbezogenen Notentext zu bieten.
  3. Nov 14,  · bigband.akikuscofymdagdathis.infoinfo Sonate für Klavier und Violine A Dur BWV Hanns Martin Zimmermann Violine Istvan Horvath-Thomas Klavier Itzhak Perlman Bach Violin Sonata No.1 BWV wmv Johann Sebastian.
  4. Sonaten & Partiten für Violine von Frank Bungarten (Gitarre) portofrei bei Ex Libris kaufen. Entdecken Sie die grosse Auswahl an CDs aus der Kategorie Klassische Musik im Online-Shop.
  5. Aug 02,  · Jordan Breschkow plays Bach Sonate für Solo Violine g-moll BWV -Ein Gert Riekert Film- J.S. Bach Violin Sonatas and Partitas BWV J.S. BACH: Chaconne from Partita for Solo.
  6. Der Artikel Johann Sebastian Bach (): Sonaten für Violine solo BWV ,, (Nr) wurde in den Warenkorb gelegt. Ihr Warenkorb enthält nun 1 Artikel im Wert von EUR 18, Zum Warenkorb Weiter einkaufenRatings: 9.
  7. Violinisten zögern, wenn es ums Aufnehmen von Bachs Sonaten und Partiten für Violine solo aus dem Jahr geht. So groß ist der Respekt vor diesen Werken. Über die Sonate Nr. 2 in a-Moll hat Author: Ulrich Möller-Arnsberg.
  8. Mar 01,  · Johann Sebastian Bach () Sonate Nr.3 für Violine und Cembalo obbligato in E-dur, BWV Adagio ma non tanto Violine: Anaïs Chen / bigband.akikuscofymdagdathis.infoinfo
  9. Violin Sonata No.1 in G minor, BWV (Bach, Johann Sebastian) Movements/Sections Mov'ts/Sec's: 4 movements Kammermusik 1: Werke für Violine (pp) Kassel: Bärenreiter Verlag, Plate BA 2 Preludes on a Sonate for Solo Violin by J.S. Bach by Riccardo Pick-MangiagalliAuthorities: BNF:

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