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The composition is more planar; the painting is divided into four sections: the sky, the red tree, the yellow tree and the Oeusophage - Kandinsky / Gentle Veincut - Split 10 mountain with the three riders. Odessa Port, Tretyakov GalleryMoscow. Akhtyrka, LenbachhausKunstarealm, Munich. Kandinsky's paintings from this period are large, expressive coloured masses evaluated independently from forms and lines; these serve no longer to delimit them, but overlap freely to form paintings of extraordinary force.
Music was important to the birth of abstract art, since music is abstract by nature—it does not try to represent the exterior world, but expresses in an immediate way the inner feelings of the soul. Kandinsky sometimes used musical terms to identify his works; he called his most spontaneous paintings "improvisations" and described more elaborate works as "compositions.
In addition to painting, Kandinsky was an art theorist; his influence on the history of Western art stems perhaps more from his theoretical works than from his paintings. However, the group could not integrate the radical approach of Kandinsky and others with conventional artistic Oeusophage - Kandinsky / Gentle Veincut - Split 10 and the group dissolved in late The group released an almanac The Blue Rider Almanac and held two exhibits.
More of each were planned, but the outbreak of World War I in ended these plans and sent Kandinsky back to Russia via Switzerland and Sweden.
His writing in The Blue Rider Almanac and the treatise "On the Spiritual In Art" Oeusophage - Kandinsky / Gentle Veincut - Split 10 was released in were both a defence and promotion of abstract art and an affirmation that all forms of art were equally capable of reaching a level of spirituality.
He believed that colour could be used in a painting as something autonomous, apart from the visual description of an object or other form. These ideas had an almost-immediate international impact, particularly in the English-speaking world. This resulted in his work being singled out for praise in a review of that show by the artist Spencer Frederick Sonny Boy Blow - John Mayall - The Blues Alone in The Art News.
Sadleir's Hollywood (Oakenfold Full Remix) - Madonna - Hollywood in Kandinsky also led to Kandinsky's first works entering a British art collection; Sadleir's father, Michael Sadleracquired several wood-prints and the Oeusophage - Kandinsky / Gentle Veincut - Split 10 painting Fragment for Composition VII in following a visit by father and son to meet Kandinsky in Munich that year.
These works were displayed in Leedseither in the University or the premises of the Leeds Arts Clubbetween and The sun melts all of Moscow down to a single spot that, like a mad tuba, starts all of the heart and all of the soul vibrating. But no, this uniformity of red is not the most beautiful hour.
It is only the final chord of a symphony that takes every colour to the zenith of life that, like the fortissimo of a great orchestra, is both compelled and allowed by Moscow to ring out.
From toKandinsky was involved in the cultural politics of Russia and collaborated in art education and museum reform. He painted little during this period, but devoted his time to artistic teaching, with a program based on form and colour analysis; he also helped organize the Institute of Artistic Culture in Moscow of which he was the first director.
His spiritual, expressionistic view of art was ultimately rejected by the radical members of the Institute as too individualistic and bourgeois. InKandinsky was invited to go to Germany to attend the Bauhaus of Weimar by its founder, architect Walter Gropius.
Kandinsky taught the basic design class for beginners and the course on advanced theory at the Bauhaus ; he also conducted painting classes and a workshop in which he augmented his colour theory with new elements of form psychology. The development of his works on forms study, particularly on points and line forms, led to the publication of his second theoretical book Point and Line to Plane in His examinations of the effects of forces on straight lines, leading to the contrasting tones of curved and angled lines, coincided with the research of Gestalt psychologists, whose work was also discussed at the Bauhaus.
This period was intensely productive. This freedom is characterised in his Oeusophage - Kandinsky / Gentle Veincut - Split 10 by the treatment of planes rich in colours and gradations—as in Yellow Tokyo Rose - First Shot red — bluewhere Kandinsky illustrates his distance from the constructivism and suprematism movements influential at the time.
The two-metre-wide Yellow — red — blue of several main forms: a vertical yellow rectangle, an inclined red cross and a large dark blue circle; a multitude of straight or sinuous black lines, circular arcs, monochromatic circles and scattered, coloured checker-boards contribute to its delicate complexity. This simple visual identification of forms and the main coloured It´s Up To You - Totty - Too present on the canvas is only a first approach to the inner reality of the work, whose appreciation necessitates deeper observation—not only of forms and colours involved in the painting but their relationship, their absolute and relative Nothing Takes The Place Of You - Prince Buster - Judge Dread on the canvas and their harmony.
Due to right-wing hostility, the Bauhaus left Weimar and settled in Dessau in Following a Nazi smear campaign the Bauhaus left Dessau in for Berlinuntil its dissolution in July Kandinsky then left Germany, settling in Paris. Living in an apartment in Paris, Kandinsky created his work in a living-room studio. Biomorphic forms with supple, non-geometric outlines appear in his paintings—forms which suggest microscopic organisms but express the artist's inner life.
Kandinsky used original colour compositions, evoking Slavic popular art. He also occasionally mixed sand with paint to give a granular, rustic texture to Oeusophage - Kandinsky / Gentle Veincut - Split 10 paintings. This period corresponds to a synthesis of Kandinsky's previous work in which he used all elements, enriching them.
In and he painted his final two major compositions, the type of elaborate canvases he had not produced for many years. Composition IX has highly contrasted, powerful diagonals whose central form gives the impression of an embryo in the womb. Small squares of colours and coloured bands stand out against the black background of Composition X as star fragments or filamentswhile enigmatic hieroglyphs with pastel tones cover a large maroon mass Oeusophage - Kandinsky / Gentle Veincut - Split 10 seems to float in the upper-left corner of the canvas.
In Kandinsky's work some characteristics are obvious, while certain touches are more discreet and veiled; they reveal themselves only progressively to those who deepen their connection with his work.
Writing that "music is the ultimate teacher,"  Kandinsky embarked upon the first seven of his ten Compositions. While studies, sketches, and improvisations exist particularly of Composition IIa Nazi raid on the Bauhaus in the s resulted in the confiscation of Kandinsky's first three Compositions. They were displayed in the State-sponsored exhibit " Degenerate Art ", and then destroyed along with works by Paul KleeFranz Marc and other modern artists.
Fascinated by Christian eschatology and the perception of a coming New Age,  a common theme among Kandinsky's first seven Compositions is the apocalypse the end of the world as we know it.
Writing of the "artist as prophet" in his book, Concerning the Spiritual In ArtKandinsky created paintings in the years immediately preceding World War I showing a coming cataclysm which would alter individual and social reality.
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