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Orders will be charged in CAD. Packaging Notes LP is pressed on gram virgin vinyl at Optimal Germany and comes in a heavyweight jacket with black poly-lined audiophile dust In The Vespers - Colin Stetson And Sarah Neufeld - Never Were The Way She Wascredit insert, pull-out art poster and download code for kbps MP3 copy of the album.
Two of Constellation's acclaimed solo instrumental artists join forces on this tremendous new album of original compositions for horn and violin. Tracklist 1. Flight Running time: Description Two of Constellation's acclaimed solo instrumental artists join forces on this tremendous new album of original compositions for horn and violin.
Colin Stetson has developed a unique and renowned voice as a performer and composer, chiefly on bass and tenor saxophones, where he rallies an array of technical strengths and innovations circular breathing, contact micing of his own body and the body of his instrument, vocalizations In The Vespers - Colin Stetson And Sarah Neufeld - Never Were The Way She Was the reed to make some of the most captivatingly organic, darkly soulful and otherworldly solo instrumental work of recent years.
The solo violin work of Sarah Neufeld has emerged more recently, and especially throughin the period between her primary band Arcade Fire's last two albums. Stetson and Neufeld first began playing in duo formation while on tour together as soloists injoining each other on stage for one or two of their respective pieces. Stetson had also collaborated in the past with Bell Orchestre and Arcade In The Vespers - Colin Stetson And Sarah Neufeld - Never Were The Way She Wasand with Neufeld and Shahzad Ismaily in an improv trio dating back to including the Blue Caprice soundtrack.
Duo compositions for their debut album emerged throughoutand were road-tested that spring with performances at the Festival de Musique Actuelle de Victoriaville Canada and Moers Festival Germany. Jared Kingsland. Glen Hirshberg. Brad Hamers. Anthony Higgins. Christopher Best. CD comes in a custom gatefold jacket printed on thick 24pt. Purchasable with gift card.
The Sun Roars Into View Won't Be a Thing to Become In the Vespers And Still They Move With the Dark Hug of Time The Rest of Us Never Were the Way She Was Flight Two of Constellation's acclaimed solo instrumental artists join forces on this tremendous new album of original compositions for horn and violin.
The solo violin work of Sarah Neufeld has emerged more recently, and especially throughin the period between her primary band Arcade Fire's last two albums; she's forged a distinctive and evocative solo violin practice combining rock, folk, ambient and modernist sensibilities, culminating with her debut solo album Hero Brother in She is a permanent member; he often plays with the band on tour.
That said, both record for Constellation as solo artists. Never Were the Way She Was was written and recorded live in the studio with no overdubs or loops.
Both artists bring the personas displayed on their own recordings, but to new ends. These eight pieces are songlike, despite Тень ушедшего - Алексей Козлов и Арсенал - Опаленные Временем. - II spontaneity of their settings. Stetson 's circular breathing technique and his physical approach to getting sound from the saxophone's finger pads create both melodic and rhythmic pulses and possibilities, though both players trade places in responsibility for the latter.
Neufeld possesses an inherent lyricism in her tone, but there is always the suggestion of coiled tension. On "Won't Be a Thing to Become," his circularity offers a modal pulse that changes keys slightly and slowly while Neufeld gradually unfolds mid-register lines into a melody.
Her singing voice shimmers in from the margin wordlessly. Amid its spacious echoes, Stetson plays slow, droning single notes and splutters that establish a pattern. She begins to engage with its fringes as he picks up the tempo and tension, adding more percussive tones. She responds in urgent yet lyric legato. When she begins to spiral out from the form and aggressively improvise, Stetson stretches the tonal frame to the breaking Keep Giving Your Love - Wayne Arnold - Tough Life. His more primal, aggressive pad work on "The Rest of Us" is answered by a sawing, frenetic drone from Neufeld.
The pair almost approach techno in their disciplined repetition, but fluctuations, though slight, are striking as her voice dips in and out, stray notes fall from the horn, and echo drenches the violin's middle register.
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